某种意义上，建筑的空旷亦是真实的虚无。在以人为主体铸造的容器内，足够敞亮的布景，让空间脱离所谓的“束缚感”，从而产生身体以至精神上的通透体验。
In a sense, the hollowness of architecture is also a form of true nothingness. Within containers forged with humans as the main subject, sufficiently light and spacious settings allow the space to break away from the so-called' space constraints,' giving people a transparent experience, from physical to spiritual.

大片的落地开窗，引入光这一软性元素，晨霭亦或落日，流动的光线汇聚成时间的轨迹，游走于圆柱体量之上。于是，空间的静态成为具象的画面，最终附着于实体的感官。
Large floor-to-ceiling windows introduce light as a soft element, whether it be the morning mist or the setting sun. The flowing light converges into the trajectory of time, wandering above the surface of columns. Thus, the static nature of space becomes a tangible picture, ultimately attached to the spatial entities inside.

饮食功能区采用餐厨分离的设计，延长的中岛可置物小聚，其横向的结构与背部立面相互融合，成为引导空间走向的廊道。
The dining and kitchen areas were designed separately with an elongated central island, which serves as a gathering spot with storage capabilities. The structure of the island integrates seamlessly with the rear elevation from a horizontal view angle, which also works as a corridor guiding the flow spatially.

“侘」是来自于内心的前提。 一种存在于灵魂深处的个人哲学。 一种完全独立的观察、感受和思考的方式。 没有边界，没有界限，没有开始，没有结束。 这意味着没有硬性的规则、教条或惯例。”独立于语言之外，空间以物为载体塑造的侘寂之美，有着空寂而辽远的意境。
'Wabi-sabi originates from the depths of the heart, a personal philosophy that resides within the soul. It's a completely independent way of observing, feeling, and thinking with no boundaries, no limits, no beginning, and no end. It implies there are no rigid rules, doctrines, or conventions.' Beyond the language, the beauty of wabi-sabi manifested through the design spatially, using objects as carriers, evokes an atmosphere of hollowness and vastness.

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在足够的利用空间下，设计并未堆叠过多的软装，转而采用留白的手法契合朴素的整体。这种“内藏”的低调以漫不经心的姿态，赋予居住心理层面的松弛感。自然而然的，以无胜有的空间状态，调动人的好奇与思索，进而引发情感的共鸣。
Even with ample available space, the design refrains from excessive accumulation of soft furnishings, opting instead for reserving blank space to complement the overall elegance. The 'implicit' connotation provides residents with a sense of relaxation on the psychological aspect through an effortless demeanor. Naturally, the 'less but better' spatial state of the design arouses people's curiosity and contemplation, evoking their emotional resonance.

处理好四位子女居住的硬性需求，对空间的排兵布阵亦是一种考验。设计师借助光与影的切换，打通空间的视觉路径，光线得以自由穿梭。在感受时间的细微变化时，美好间隙闪亮如金箔，内心有温澜潮生。
Addressing the rigid demands of accommodating four children is also a challenge for organizing the space. Designers utilize the interplay of light and shadow to create a visual pathway throughout the space, allowing light to flow freely. As people perceive the subtle changes of time, the beautiful feelings elicited by the space shine like golden foil, stirring gentle ripples within their hearts.

阴翳的空间，以玻璃为媒介引光入室。作为地下二层，更需要光影眷顾，从而产生持于平面的体验感。
The design introduces light into the shadowy space through glass as a medium, especially in the second basement, to give people a sense of still being above ground.

可触摸的空间实体中，掺杂着人与景的互动体验。跃层的建立，平衡内部视差的同时，亦有起承转合的过渡效果。不论脚步还是视线的切换，以素为切入点塑造的建筑形态，都有着沉稳的场地氛围。
The interactive experience between people and the surroundings is intertwined with touchable spatial entities here. The establishment of the duplex not only balances internal disparity visually but also serves as a transitional element, interpreting the 'rise and fall' inside. Whether through the transition of people's footsteps or their gaze, the interior form shaped by elegance in this design embodies a serene atmosphere throughout the site.

项目信息
Project Information
项目名称：空谷来音
Project Name: The elegance from the hollow valley
设计公司：NX设计
Design Company: NX DESIGN
项目地点：浙江·温州
Project Location: Wenzhou, Zhejiang
项目面积：900㎡
Project Area: 900㎡
主案设计：倪伟锋 项舒倩
Chief Designers: Weifeng Ni, Shuqian Xiang
参与设计： 章云镭
Participatory Designer: Yunlei Zhang
设计时间：2021.12
Design Time: December 2021
完工时间：2023.05
Completion Time: May 2023
主要材料：微水泥，艺术漆，橡木
Main Materials: Microcement, Artistic coating, Oak